Now more than ever.
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Monsters at Home

Inspired by Science fiction B movies and television, I began making these self-portraits at the start of the covid 19 pandemic.

I was never attracted to monsters as a kid. It was only later in life that I became fascinated by them. As I started to make these monsters, what interested me the most was their asymmetry and imperfectness.

We live in a world that celebrates beauty and perfection. Monsters are the opposite of this; they represent failure. Being a middle-aged man, I identify with them. As we get older, we watch our bodies decay and youth disappears. This transformation happens slowly, unlike the quick dissolves that we are used to seeing in films. As we age, we become invisible in a world that only appreciates beauty and success.

Monsters at Home

In this strange year, we have become strange creatures, trapped in our houses, fearing contagion, contemplating our mortality. In this pandemic time, inspired by science fiction B movies and television, I began making this series of self-portraits.

My monsters are quotidian, constructed of household objects and time, and layered on my own face and body. I have done extensive research into the history of cinematic practical special effects, and I have used those techniques to create these characters.

My ongoing work of the past few years suggests a children’s television show that might have existed between the channels, a reconstructed diary of channel surfing from half a century ago. Deceptively simple landscapes evoke the solitary worlds we all crafted as children, where we had only our emotions -- fear, power, loneliness, curiosity -- to map the terrain.

There were no monsters in my childhood landscapes. But as my own body transforms and decays into middle age, I am struck by the terrible beauty of monsters, the imperfections, and asymmetries, the surprises in the mirror. Those same emotions that guided my exploration of the imaginary faraway now confront this more intimate unknown.